Sunday, December 2, 2007
Saturday, October 27, 2007
How A Theodolite Works
Ferdrupt ...
The village has 900 inhabitants Ferdrupt and is located on the RN 66 in the edge of the Moselle at the intersection of Lorraine, Alsace and Franche-Comte .
Regional Nature Park of Ballons des Vosges, Ferdrupt offers a wide choice of hiking or biking. A cycle track (Green Lane Hautes-Vosges) also crosses the valley of the Upper Moselle. ( http://www.lavoieverte.com/ )
Bakery, coffee shop and farm house in the village.
Supermarkets Rupt sur Moselle (5 km) and Thillot (6 km).
The village has 900 inhabitants Ferdrupt and is located on the RN 66 in the edge of the Moselle at the intersection of Lorraine, Alsace and Franche-Comte .
Regional Nature Park of Ballons des Vosges, Ferdrupt offers a wide choice of hiking or biking. A cycle track (Green Lane Hautes-Vosges) also crosses the valley of the Upper Moselle. ( http://www.lavoieverte.com/ )
Bakery, coffee shop and farm house in the village.
Supermarkets Rupt sur Moselle (5 km) and Thillot (6 km).
Our house ...
It is located in the village but away from the RN66.
It is located at the bottom of a wooded, Baussottes the Garden, an area of 7500m ².
This garden is crossed by a mountain stream.
A body of water upstream, supplying a micro-hydro turbine attached to the house.
The place is quiet and picturesque.
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Our rental ...
The apartment is located on the ground floor of our house and has the following characteristics:
- F2 (adapted for a couple and two children)
- indoor area: 48m ²
- terrace of 9.5 m² with garden
- storey apartment so wheelchair accessible
- completeness of the private land of 7500 m² is available
- parking
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Description of the Apartments:
- a main entrance opening onto a corridor personal-hall
- a small kitchen, refrigerator Conservative Party with * microwave, no dishwasher
*: a place can be offered in our freezer personnel if necessary
- living room overlooking on the terrace, sofa bed (2 persons), TV 38cm
- a small room with 2 single beds (90cm)
- room with sink, shower and toilet
- washing machine available for two uses per week maximum
- ping-pong table available
NB: animals, even small ones, are not allowed. Thank you for your understanding.
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Rates
In July and August: € 295 / week
Weekend rates (June and September only): € 80 (including heating)
Provision and preparation of the coating sheet
(on request): 8 € / bed
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- Your reservation will be effective upon receipt of deposit equal to 25% of the rent in the form of a check (or postal)
- A deposit of 150 € will be tabled at the entrance (see contract)
- Holidays Cheques are not accepted
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Baussottes The Garden ...
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It takes its name from the locality, of the Chal Baussottes, where is located the house.
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Initially, a large meadow, crossed by a creek lined with bushes rebels and a large rock, prey brambles and gorse .
A good ten years of work have transformed the scene trying to derive maximum benefit from the natural advantages it has: a water, a small marshy area (pretend) , rock, stream and bumpy terrain.
The main difficulty was to achieve changes in vegetation structure of the place without falling into the artifice.
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Our taste for conifers, especially for dwarf cultivars explains their significant presence (about 180 taxa). By their shapes, colors and varied textures, they provide rich associations.
The acid soil of granitic Vosges Ferdrupt location, combined with proper humidity, specially suited for these plants. This garden was officially opened June 21, 2008.
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labeling was performed for the most interesting cultivars (both deciduous conifer).
Among these include:
- Abies amabilis 'Spreading Star'
- Abies concolor 'Compacta'
- Abies koreana 'Blue Emperor'
- Abies 'Silberlocke'
- nordmanniana Abies 'Golden Spreader'
- Abies pinsapo 'Hortsmann Nana'
- Chamaecyparis lawsoniana 'Nana Lute'
- pice abies 'Frohburg'
- pizza Omorika 'Pimoko'
- pizza pungens 'Montgomery'
- Picea pungens 'William'
- Picea sitchensis 'Tenas'
- Pinus parviflora 'Adcock's Dwarf'
- Pinus sylvestris 'Sandringham'
- Pseudotsuga menziesii 'Fletcheri'
- Taxus baccata 'Standishii'
- Fagus sylvatica 'Mercedes'
- Gleditsia triacanthos 'Elegantissima'
- Ulmus × hollandica 'Jacqueline Hillier'
zD many pictures of this garden: http://picasaweb.google.com/renaudf54
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rentals Contact:
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Bernard and Raymond FRANCOIS
3, road Grébiay
88360 FERDRUPT
Tel: 03 29 25 87 47
mailto: bernard.francois2 @ aliceadsl.fr p
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garden Contact:
Access:
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by road, is Ferdrupt:
- 45 km from Epinal
- 115 km from Nancy (1:10)
- 65 km from Mulhouse (1h 05)
by train: TGV Paris-Remiremont (2:45) + shuttle bus
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Thank you for visiting
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Sunday, June 24, 2007
High Cervix & Cm Day Before Period
Series Photo Animation
Clouds
For drawing the hammer on drywall, drawing "lots" of the wall and enters the viewer's space which refers to drawing in charcoal. In the development of my work wall drawing, the materials themselves used in architecture have interested me, including the BA13 to build the walls.
By observing the residue of an end site that I saw the picture differently.
So I worked on the drywall, providing drawings and designs hammer also in situ. What interests me in this particular job is to reconstruct an image from elements destroyed, or acts of destruction.
Two papers emerged from this practice:
-work photographs of drawings with a hammer. The contrast between the violent act done on the plates and the result of this violent act as a landscape of clouds, interests me.
-design work in-situ, recreating from debris, a drawing with its lines, planes, shapes, colors, ...
The wall and destroyed in place and largely gives to see a landscape that covers the ground, and the design emerges from the wall to return again in the viewer's space .
By observing the residue of an end site that I saw the picture differently.
So I worked on the drywall, providing drawings and designs hammer also in situ. What interests me in this particular job is to reconstruct an image from elements destroyed, or acts of destruction.
Two papers emerged from this practice:
-work photographs of drawings with a hammer. The contrast between the violent act done on the plates and the result of this violent act as a landscape of clouds, interests me.
-design work in-situ, recreating from debris, a drawing with its lines, planes, shapes, colors, ...
The wall and destroyed in place and largely gives to see a landscape that covers the ground, and the design emerges from the wall to return again in the viewer's space .
What Can Lighten Hyperpigmentation
In my practice of drawing, the movement is very important, also the rhythm, so I'm interested in a video work based on the drawing moving or animated, and his technique.
By watching the old cartoons that I really understood the movement in the animation. In "Cinderella" from Walt Disney, I noticed a manufacturing defect that allowed me to understand the movement and how to make a cartoon. In one scene, the Cat "Lucifer" is operating in the area of the screen, but it is fixed and moving at the same time. This means that the previous motion pictures are visible and persist for some time before disappearing, then I felt the drawing in motion.
The layer is the material that is used especially in making cartoons and I'm re appropriate.
Its quality plastic, translucency, enables me to obtain a monochrome gray, light and contrast, translucency and opacity, by accumulation of leaf layers - first cut here - arranged on a light table .
In this animation work, the rhythm is essential and quasi-static nature of the questions on the possible image and animation brings the viewer into a position of contemplation .. This animated video dem ande the viewer to stay a certain time in order to observe the movement of a landscape of clouds, like when you look at a cloudy sky, there was a feeling of stillness, that after a moment of contemplation that we perceive the movement of clouds. So I take the foot of the animation cons of trying to give the illusion of movement. You can watch a clip of this video on http://www.youtube.com/profile?user=charlyskhan
By watching the old cartoons that I really understood the movement in the animation. In "Cinderella" from Walt Disney, I noticed a manufacturing defect that allowed me to understand the movement and how to make a cartoon. In one scene, the Cat "Lucifer" is operating in the area of the screen, but it is fixed and moving at the same time. This means that the previous motion pictures are visible and persist for some time before disappearing, then I felt the drawing in motion.
The layer is the material that is used especially in making cartoons and I'm re appropriate.
Its quality plastic, translucency, enables me to obtain a monochrome gray, light and contrast, translucency and opacity, by accumulation of leaf layers - first cut here - arranged on a light table .
In this animation work, the rhythm is essential and quasi-static nature of the questions on the possible image and animation brings the viewer into a position of contemplation .. This animated video dem ande the viewer to stay a certain time in order to observe the movement of a landscape of clouds, like when you look at a cloudy sky, there was a feeling of stillness, that after a moment of contemplation that we perceive the movement of clouds. So I take the foot of the animation cons of trying to give the illusion of movement. You can watch a clip of this video on http://www.youtube.com/profile?user=charlyskhan
When To Use /sc/ And /sk/
The why and how
The world of film Animation is my primary source inspiration that I will implement it in a practice of drawing, my main medium of artistic research. I'm also creating a video work, photography and object resulting from this practice dessin.Je deconstruct the cartoon, and construction elements will serve me as a basis for the realization of a room. And it is through personal memories, mental images that marked me as I transpose these structural elements in my art practice.
Unlike the cartoon, I can not tell any story, the images that I give to see are places, spaces landscapes in which the viewer can project themselves, and let his imagination wander. This idea came from the desire to get into an animated film, to project himself as a fictional character.
Wednesday, June 20, 2007
The Real Hidden Blade Blueprints
Drawings Drawings
"Scene # 1"
"Scene # 1"
Inspired by the cartoon world, this installation work in-situ represents a bet Directed by the mental image of a memory. From sensations stored, then materialized, I wanted to recreate and share a very personal world.
Catchy Logos For Diet Drinks
volume
Ruin in Coal
To achieve this sculpture, I use coal, the first tool that can be achieved drawings, material itself (actually chosen) with which our ancestors were able to make their representations. This is the pencil itself if you will. I play with the problem of the fictitious space and real space in the object (artifact ephemeral) which constitutes the "true representation".
In reference to the cartoon "The King and the Mockingbird" by Paul Grimault, the image of the castle (fairy tale) was transformed into the image of a ruin shown here in a remnant construction emerging from a pile of coal.
In reference to the cartoon "The King and the Mockingbird" by Paul Grimault, the image of the castle (fairy tale) was transformed into the image of a ruin shown here in a remnant construction emerging from a pile of coal.
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