High Cervix & Cm Day Before Period

Series Photo Animation

Clouds

For drawing the hammer on drywall, drawing "lots" of the wall and enters the viewer's space which refers to drawing in charcoal. In the development of my work wall drawing, the materials themselves used in architecture have interested me, including the BA13 to build the walls.
By observing the residue of an end site that I saw the picture differently.
So I worked on the drywall, providing drawings and designs hammer also in situ. What interests me in this particular job is to reconstruct an image from elements destroyed, or acts of destruction.
Two papers emerged from this practice:
-work photographs of drawings with a hammer. The contrast between the violent act done on the plates and the result of this violent act as a landscape of clouds, interests me.
-design work in-situ, recreating from debris, a drawing with its lines, planes, shapes, colors, ...
The wall and destroyed in place and largely gives to see a landscape that covers the ground, and the design emerges from the wall to return again in the viewer's space .

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In my practice of drawing, the movement is very important, also the rhythm, so I'm interested in a video work based on the drawing moving or animated, and his technique.
By watching the old cartoons that I really understood the movement in the animation. In "Cinderella" from Walt Disney, I noticed a manufacturing defect that allowed me to understand the movement and how to make a cartoon. In one scene, the Cat "Lucifer" is operating in the area of the screen, but it is fixed and moving at the same time. This means that the previous motion pictures are visible and persist for some time before disappearing, then I felt the drawing in motion.
The layer is the material that is used especially in making cartoons and I'm re appropriate.
Its quality plastic, translucency, enables me to obtain a monochrome gray, light and contrast, translucency and opacity, by accumulation of leaf layers - first cut here - arranged on a light table .
In this animation work, the rhythm is essential and quasi-static nature of the questions on the possible image and animation brings the viewer into a position of contemplation .. This animated video dem ande the viewer to stay a certain time in order to observe the movement of a landscape of clouds, like when you look at a cloudy sky, there was a feeling of stillness, that after a moment of contemplation that we perceive the movement of clouds. So I take the foot of the animation cons of trying to give the illusion of movement. You can watch a clip of this video on http://www.youtube.com/profile?user=charlyskhan

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The why and how

The world of film Animation is my primary source inspiration that I will implement it in a practice of drawing, my main medium of artistic research. I'm also creating a video work, photography and object resulting from this practice dessin.Je deconstruct the cartoon, and construction elements will serve me as a basis for the realization of a room. And it is through personal memories, mental images that marked me as I transpose these structural elements in my art practice.

Unlike the cartoon, I can not tell any story, the images that I give to see are places, spaces landscapes in which the viewer can project themselves, and let his imagination wander. This idea came from the desire to get into an animated film, to project himself as a fictional character.

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series of drawings in space

Trees

series of drawings (mixed media)

The Real Hidden Blade Blueprints

Drawings Drawings




"Scene # 1"

Inspired by the cartoon world, this installation work in-situ represents a bet Directed by the mental image of a memory. From sensations stored, then materialized, I wanted to recreate and share a very personal world.

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volume

Ruin in Coal

To achieve this sculpture, I use coal, the first tool that can be achieved drawings, material itself (actually chosen) with which our ancestors were able to make their representations. This is the pencil itself if you will. I play with the problem of the fictitious space and real space in the object (artifact ephemeral) which constitutes the "true representation".
In reference to the cartoon "The King and the Mockingbird" by Paul Grimault, the image of the castle (fairy tale) was transformed into the image of a ruin shown here in a remnant construction emerging from a pile of coal.